![]() The book has commentary on each of his 7 major feature films, and his complex relationship with the Soviet Union. The book's main statement about the nature of cinema is summarized in the statement, "The dominant, all-powerful factor of the film image is rhythm, expressing the course of time within the frame." It contains a great deal of poetry written by the filmmaker's father Arseny Alexandrovich Tarkovsky along with a fair amount of Tarkovsky's personal writings on his life and work, lectures and discussions during making of Andrei Rublev with a film history student named Olga Surkova, who later became a professional critic and helped in writing of this book. The title refers to Tarkovsky's own name for his style of filmmaking. ![]() It was originally published in 1985 in German shortly before the author's death, and published in English in 1987, translated by Kitty Hunter-Blair. Sculpting in Time (Russian "Запечатлённое время", literally "Captured Time") is a book by Russian filmmaker Andrei Tarkovsky about art and cinema in general, and his own films in particular. ![]()
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